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See my latest work!
See my latest work!
Hi! I'm Carolyn Moir. I grew up as a horse crazy kid who loved collecting Breyer model horses. As I got older, I discovered my artistic talent and could usually be found drawing my favorite subject = horses! I went on to obtain a Fine Arts Degree and eventually turned my skills towards trying my hand at sculpting my own models. I've been
Hi! I'm Carolyn Moir. I grew up as a horse crazy kid who loved collecting Breyer model horses. As I got older, I discovered my artistic talent and could usually be found drawing my favorite subject = horses! I went on to obtain a Fine Arts Degree and eventually turned my skills towards trying my hand at sculpting my own models. I've been enjoying the learning process over the years and have been becoming more involved in the model horse community, which is a blast. Now, I'm taking the leap and sharing my work with the world!
Horses, of course! Their graceful strength and charisma have always inspired my work. Before I was able to own the real deal, my Breyer models and summer riding lessons were the key to kick-starting my imagination and many long hours were spent playing with and even drawing the models themselves for practice. Today, I strive to create lif
Horses, of course! Their graceful strength and charisma have always inspired my work. Before I was able to own the real deal, my Breyer models and summer riding lessons were the key to kick-starting my imagination and many long hours were spent playing with and even drawing the models themselves for practice. Today, I strive to create life-like representations of them in my own line of work and to continue to improve my accuracy.
For my 2D work, I most often enjoy using pencils, colored pencils and ink. My equine sculptures have primarily been done using Super Sculpey, but I am just starting to experiment using Aves Apoxie Sculpt and Magic-Sculpt on my newest work-in-progress sculpture. I plan to branch out and try different clays, as it is fun to learn the pros and cons of each medium.
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